![]() But his charisma both overrides and enhances any physical attributes. ![]() His profile, with its coulda been a contender nose, is so strong and beautiful it wouldn't be out of place on a Greek amphora - yet his ears, jutting out with boyish awkwardness, look more like the handles. He's not what we think of as the classic Bond type: His body isn't a tuxedo-ready balanced equation but a wedge of muscle that demands clever tailoring. In Martin Campbell's blissfully entertaining "Casino Royale," the 21st picture in the 007 franchise, Craig is Bond reinvented and reborn, a creature so unexpectedly distinctive that even though we all think we know what we want in a Bond, we could never have dreamed this one up. But if the greatest Bond is still Sean Connery - his chipped-ice elegance so clearly defined the franchise that there's no replacing him - then Daniel Craig is the first Botticelli Bond. Anyone who has followed the James Bond series even casually over the years knows that there have been serviceable Bonds (Roger Moore), blasé Bonds (George Lazenby) and vaguely unobjectionable Bonds (Pierce Brosnan).
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